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Anita Mui in a still from “Au Revoir, Mon Amour” (1991). A Canto-pop singer and actress, Mui, one of Hong Kong’s most revered stars, would have turned 60 on October 10 this year. Photo: Golden Harvest

Remembering Anita Mui on her birthday: Hong Kong superstar with a ‘sad and beautiful story’ was ‘adopted’ by the city and her fans

  • Anita Mui, one of Hong Kong’s most revered stars and who died in December 2003, would have turned 60 on October 10 this year
  • We recall her childhood and her family life, and how, after her death, her mother contested her daughter’s will in court and asserted rights to her estate
Cantopop

Anita Mui Yim-fong, who would have turned 60 on October 10 this year, was one of Hong Kong’s most revered stars. She died in December, 2003, of cervical cancer and respiratory complications.

From her 28 studio albums to her almost 50 film acting credits and 11 acting awards, her contribution to the city’s entertainment industry was almost without parallel.

Not only did Mui show her incredible talent and versatility in every performance, she was also known for being – almost to a fault – extremely dedicated to her work.

As she once said: “I don’t like to be a weak and sad woman; in fact, I’m strong and boyish. When I have a goal, I’ll work hard to achieve it.”

Mui in a still from Stanley Kwan Kam-pang’s 1988 film “Rouge”. Photo: Golden Harvest

One of her ex-boyfriends reportedly said: “For a woman, she has too many aspirations and ideals … she’s not willing to stop until they are fulfilled – this idea and approach is very masculine.”

Mui remained as professionally active as her declining health allowed until almost the very last moment, and presented her final show just six weeks before her death. For her last performances, she asked her close friend and established fashion designer Eddie Lau Pui-kai to create a wedding gown.
Anita wearing a wedding gown at one of her last concerts in Hong Kong on November 6, 2003. Photo: Reuters
“She wore the wedding gown, but she had no bridegroom.” Lau told the Post in 2013. “I asked her, ‘Who are you going to marry?’ She said she would marry the stage.

“A lonely woman wore a gorgeous wedding gown. It was a sad and beautiful story.”

Mui died unmarried.

Mui as a child. Photo: courtesy of Tam Mei-kam

Born in 1963 in Hong Kong to a poor immigrant mother from Guangzhou, southern China, Mui was the youngest of four in a single-parent household. Despite this, she was not the stereotypical spoiled youngest child – her mother, Tam Mei-kam, is said to have had a very traditional, East Asian mindset in preferring boys over girls.

Tam, who managed a troupe of street performers, reportedly put her two daughters, Mui and Ann Mui Oi-fong, to work when they were still children. Mui’s two brothers were respectively 10 and 12 years older than her.

There was talk that her mother and her eldest brother, Peter Mui Kai-ming, were heavy gamblers – or at least lavish spenders – and consistently in debt. Most, if not all, of the debt would have become the responsibility of Mui, whose successful career was possibly the only pillar that supported certain family members.

Mui with her sister Ann Mui Oi-fong (left). They both died at the age of 40.

Mui died in 2003 when she was 40 years old – the same age that her sister was when she also died of cervical cancer in April, 2000.

In her will, Mui set up a trust whose main beneficiaries included her mother and four of her nieces and nephews. The trust was to provide Tam with a HK$70,000 monthly allowance, with HK$1.7 million allocated to support the education of two of Mui’s siblings’ children.

A few months after Mui’s death, Tam filed a lawsuit to challenge the validity of her daughter’s will. It would be her first of many attempts to obtain control of Mui’s estate, estimated to be worth HK$100 million.
Tam Mei-kam, mother of Mui, arrives for a High Court appearance to testify in a lawsuit contesting Mui’s will in 2008. Photo: SCMP

Over several years, Tam sued the administrators of Mui’s estate, her principal doctors and the other beneficiaries of the estate. She also applied to raise her monthly stipend from HK$70,000 to HK$120,000, which was later accepted by the court.

In court, she was often accompanied and sometimes represented by her older son, Peter, the only family member left out of Mui’s will.

In 2008, Tam admitted to the Post that she only learned of Mui’s illness from the media.

In 2009, citing boredom and exhaustion from the lawsuits, Tam applied for HK$800,000 from Mui’s estate to “travel the world”, accompanied by her nurse, helper and family members, which was rejected by the court.

In 2012, Tam was declared bankrupt after she failed to pay HK$2.3 million in legal fees, although Mui’s estate continued to pay her an allowance.
Tam leaves High Court after her own bankruptcy proceedings in 2012. Photo: SCMP

According to a former director of private trusts at leading bank HSBC, Doris Lau, one of the first people to face Tam in court and an official witness to the will, Mui had said: “Aside from supporting my mother, none of my assets shall fall into the hands of any Mui.”

Lau also said that, despite their somewhat estranged relationship, Mui had expressed concern for Tam’s poor handling of her finances, adding that her estate should not be given to her mother outright because “she would quickly squander it”.

Tam reportedly said in 2013 that: “People always say that I mistreated Mui, but whether it was true or not, it has nothing to do with you outsiders. I raised four children by myself, so it’s my business how I want to spend their money.”

People visit an exhibition at Moko Mall in Mong Kok commemorating the 20th anniversary of Mui’s death. Photo: Sam Tsang
Perhaps that is why Mui is known as the daughter of Hong Kong – she was “adopted” by the stage and her audience, who had become her chosen family since her own blood kin were the cause of so much strife.
Ahead of the 20th anniversary of Mui’s death, fan club Mui Nation has organised a commemorative exhibition at Mong Kok’s Moko Mall, in Kowloon, to honour her multifaceted legacy. It runs until October 15.
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